There have been many artworks featured on HBO’s collection Succession, whose finale airs Sunday (28 Might), and in its promotional supplies, together with every part from an unnamed Paul Gauguin work in Logan Roy’s (Brian Cox) secure at a Geneva freeport, to Peter Paul Rubens’s The Tiger Hunt (1615-16) looming behind Roy and his 4 youngsters within the present’s season one poster.
The outstanding inclusion of artwork has served varied functions over the course of the collection’ 4 seasons, from taking part in a task within the portrayal of particular characters to foreshadowing plot twists. Typically, the works seen in characters properties and places of work are by lesser-known artists.
“We prefer to maintain of us guessing in regards to the artwork in Logan Roy’s condo,” says Stephen Carter, the manufacturing designer for Succession. “We saved [the art] much less recognisable in order not to attract consideration in a repetitive means over the numerous scenes and seasons.” He provides. “Little question there are some minor Picassos, a Matisse or two, and so on. And a bunch of items that [Logan Roy’s wife] Marsha’s vendor picked out.”
Generally, the design workforce opted for the forms of work that’s at present trending amongst “industrial decorators”, Carter says. Different occasions, they “embrace a recognisable string of items—Warhols, for instance—that are each recognisably blue chip and will invite interpretation”.
Logan Roy (Brian Cox) and Greg Hirsch (Nicholas Braun) sitting earlier than two obvious Outdated Grasp work in a scene from the fourth episode of season three of HBO’s Succession Macall B. Polay/HBO
Carter provides that, “Just like the media corporations in our universe, we embrace some actual (Time and Forbes magazines, Bloomberg Information, and so on.) however Fox and CNN don’t appear to exist; we do one thing comparable with artwork.”
As for the allusion to the Gauguin works in Logan Roy’s freeport vault, Carter believes “that was the writers having enjoyable”. Gauguin’s life and legacy have come below rising scrutiny in recent times—significantly because it pertains to his remedy of Polynesian folks—which can solely make his works’ presence in Logan Roy’s assortment extra becoming.
“There’s a believable backstory—Gauguin is having a second of reckoning for his exploitative relationships with teenagers ladies in Tahiti and sure, one would possibly draw comparisons with Logan and his wolf pack at [Brightstar] cruises,” Carter says. “On the finish of the day, [the Gauguin reference is] extra about organising Karl’s joke that burning them for the insurance coverage cash could be the dream, financially talking.”
And whereas it might appear to be Gauguin’s tropical-hued works are too vibrant to go well with Roy’s austere style, this disjuncture is intentional.
“All through the collection, I’ve positioned Logan as type of a black gap of aesthetics,” Carter says. “His artwork is doubtlessly chosen for him by a string of nervous curators and patrons, and in the event that they get it unsuitable, they get sacked. Or chosen by wives, similar destiny relevant.”

Roman Roy (Kieran Culkin), Caroline Collingwood (Harriet Walter) and Shiv Roy (Sarah Snook) sit beneath a modernist nonetheless life in a scene from episode seven of season two of HBO’s Succession Graeme Hunter/HBO
He provides, “The siblings are additionally contaminated, in order that the speedy Roy household have tastes that really feel very art-directed and secure and journal spread-ready. No distinctive private funding within the artwork selections. I believe that method quietly contributes to the spiritually hole nature of the present.”
This may occasionally additionally clarify why a few of the artwork Logan Roy owns is saved in storage, alluded to however by no means really seen on show in his townhouse—his artwork purchases are primarily about financial worth, not look.
“I believe Logan appears to the older artwork actions as being worthwhile as a result of they’ve stood the take a look at of time and confirmed their value,” Carter says. “They’ve been in museums and establishments since earlier than he made his billions. He in all probability doesn’t belief newer tendencies—identical to he can’t actually belief his personal youngsters—as a result of they might simply be BS on the finish of the day. He can’t inform if they’re severe.”
The Rubens portray that was featured in an early poster, then again, displays “each a way [of] wealth and the violence and wrestle happening under the floor of the household”. Carter says. That work didn’t make it into the present, however was effectively suited to the adverting marketing campaign the place “you want issues to learn simply; to make their level from the facet of a passing bus”, Carter provides.

A promotional poster for the primary season of HBO’s Succession that includes Peter Paul Rubens’s The Tiger Hunt (1615-16) HBO
The ultimate episode of Succession airs on HBO on 28 Might